Marriage Resources
Snuffy's Parents Get a Divorce
From Muppet Wiki
Over the decades, Sesame Street storylines have tackled such
varied life issues as death, adoption, marriage, and birth,
often inspired by national statistics or events within the
circle of the show's own cast and crew. In 1992, the subject of
divorce was the big project of the season.
Tackling Divorce
The decision to tackle the issue of divorce was a weighty one
for the Children's Television Workshop, and the idea had a long
gestation period. As early as 1989, writer/director Jon Stone
announced that he was attempting to examine the issue:
"We make a conscious decision on what to look at. My two
projects for this year are drugs and divorce. Divorce is a
difficult one. Perhaps we could do it with puppets. I am also
writing a script on drugs and peer pressure."
Other crew and cast members expressed mixed feelings on the
topic, however, even before the script was written. In fact, in
1990, executive producer Dulcy Singer initially vetoed it.
Singer was concerned with tackling more complex social matters,
but also wanted to primarily emphasize issues affecting lower
socio-economic groups, returning to the show's original target
audience of inner city and financially disadvantaged families.
She opposed the idea, claiming that "Divorce is a middle-class
thing," instead preferring a story illustrating a single-parent
family, with the child born out of wedlock with an absent
father. To some extent, this may have been fulfilled in a Sesame
Street News Flash about a bird, whose parents live in different
trees.
Choosing an Approach
The topic of divorce would not be ignored, however, and it was
discussed again the following year. The decision was affected by
Census Bureau statistics, revealing that 40 percent of all
children in the United States, not just the middle classes,
would soon live in divorced households. Even so, it still
required adjustment, for writers and performers alike. Jerry
Nelson noted that "Now we delve into things like divorce that
are likely to affect small children very heavily. We didn't
touch those things before."
The first obstacle was determining how to address the issue in a
narrative, and whether to use the Muppet characters or the human
cast. Producer-director Lisa Simon publicly reported on the
difficulties:
"We hope to get to it by the end of the season. It always
takes us a while to figure out how to do an issue appropriately,
from a child's point of view...With puppets, it's slightly less
frightening...The kids have somebody to identify with. They see
the puppet characters have feelings and work through a difficult
issue many of them will have to face."
According to Bob McGrath, a decision was finally made to use
Muppets, and specifically, the family of Mr. Snuffleupagus:
"They once tried to deal with the subject of divorce. They
knew they couldn't do it with either of our married couples -
Gordon and Susan or Maria and Luis - so they tried it with
Snuffleupagus, writing a show about his parents getting
divorced. They wrote a whole show and taped it, and it was just
devastating for test groups of kids. So they just threw the
whole thing in the garbage and never tried it again. It was just
too difficult a concept for a 3-year-old."
The Test Results
The tentatively scheduled airdate for the broadcast was April
10, 1992. The episode, intended as #2895, "Snuffy's Parents Get
a Divorce," was written by Norman Stiles, who had previously
tackled the issue of Mr. Hooper's death, and the script was
subject to scrutiny by the advisory board and developmental
psychologists. The board suggested that the script more heavily
emphasize the fact that arguments do not automatically mean
divorce. The script was revised, the story was taped, and the
completed episode screened before a test audience of 60
children. Dulcy Singer still had her doubts:
"We were really nervous about the show, and we didn't think
it was a shoo-in. When you're dealing with something like death,
the approach can be universal. But with divorce, it's so
personal. People react differently."
The final episode addressed the advisors' concerns via a
conversation in which Gordon reassures Elmo, Big Bird, and Telly
that "Just because parents have an argument, or get upset with
each other, doesn't mean they're getting a divorce...Or that
they don't love each other anymore." He also reassured Snuffy
and his sister Alice that it's not their fault, "No, not even if
you spill something."
The reassurances had little effect on the test viewers, however,
especially taken in conjunction with the rest of the episode.
While Mommy Snuffleupagus had been a recurring character on the
series for several years, Snuffy's Daddy had been a more elusive
figure; like so many Muppet parents, his appearances were
generally limited to storybooks. When he does appear in the
episode, arriving for a weekend visit, Alice attempts to bring
him inside, but he reminds her that "I don't live here anymore."
Children were unclear on where Snuffy's parents lived,
especially the father, and believed that Daddy "ran away and
Snuffy and Alice would never see their father again."
The realistic depiction of the Snuffleupagus children struggling
emotionally with the issue also proved troubling. In one scene,
as Alice overhears her parents arguing in the next cave, she
pounds and kicks her teddy bear out of frustration. Singer
weighed in on the reactions, which despite the care taken,
revealed both emotional responses and misunderstandings of the
very points which the script attempted to clarify:
"The kids came away with negative messages...The kids said
she stabbed the teddy bear with a knife. The kids misunderstood
arguments. They said arguments did mean divorce. Some thought
Snuffy's parents were moving away even though we said just the
opposite. A number said the parents would no longer be in love
with them."
With the testing results in, research director Valeria
Lovelace recommended scrapping the episode and going "back to
the drawing board," and the idea was abandoned, at least for the
season. Episode 2895, as aired, instead focused on Oscar the
Grouch and a visit from his brother. Initially, there was some
talk of attempting to broach the divorce issue later on, perhaps
in multiple parts. However, as producer Michael Loman recalled,
"We ate the cost and never aired it. We feel there are a range
of issues that we can deal with in the family that do not go to
the extreme of divorce." |